Tuesday, February 19, 2008

Lin Zheng Sheng


I just saw Betelnut Beauty (Ai Ni Ai Wo) Part of the Lin Zheng Sheng retrospective at Anthology. The cool thing is the director is here all week so he appeared for q & a after the film. This was the first film of his I've seen. Despite some commercial intentions it was decidedly bleak. Thats' a good thing. It's about one of those bing lang xi shi and another young lost soul who fall in love. Lin's documentary foundation shows through in what is an interesting social critique without being too heavy handed. Some of it was a little silly but forgivably so. Both the leads are idols but I thought they gave good performances - here's one of the silly parts though: the cute female lead is played by pop star Xin Jie. While working at the bin lang stand she gets scouted and than later does a singing audition. On her first try she sings like a pro. Duh! It's a cool scene if you enjoy mandarin pop and can let go of incredulity. She's playing up melancholic cuteness as opposed to the spooky angle she was given in The Eye. The male lead is Zhang Zhen who I felt did his best to bely idol trappings. His character, Xiao Feng, is a somewhat likable, if dimwitted loser, with impending doom telegraphed ala film noir. Xiao Feng takes a job as a baker, the profession that director Lin held for 11 years before falling into film making. The director himself spoke about casting two idols and said, 'of course, you'll never find a baker that good looking.' There was a lurking tension, especially with the gangster bits and a gritty neo-realist/early Scorcese feel at times.

So how many films is that now? Damn, Chris was there and he stayed for the second feature! Okay so I'm up to ELEVEN now. And that's not complete since I still don't recall all that I've seen so far. Oh wait...

Kuro Neko (Black Cat) by Kaneto Shindo, the director of Onibaba. Great, theatrical spookiness - ghosts flying across shadow laden rooms, etc. - mixed in with some atmospheric naturalism. The Mizoguchi influence is there (Ugetsu) but Kaneto expresses his own voice.

Deep End I finally saw this film that I read about over twenty years ago in Cult Movies a thousand times. It was worth the wait. Oh, but that was actually last fall.

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